Fred Marchant
FRED MARCHANT
Fred Marchant is the author of three books of poetry. His first book, TippingPoint, won the 1993 Washington Prize from The Word Works, Inc. His secondbook, Full Moon Boat, was published in 2,000 by Graywolf Press. His third book, House on Water, House in Air: New and Selected Poems was published by Dedalus Press, Dublin, Ireland, in 2002.

Fred is also a member and teacher in the Veteran Writer's Workshop begun in 1994 by Maxine Hong Kingston. He is a contributor to the workshop's anthology, Veterans of War, Veterans of Peace published last year. "Elephants Walking" is from that anthology.

Elephants Walking
I. Curled in a window seat, level with wind-swayed oak, aching on a green vinyl pad, I think of the fortunes spent on the hardwood, wainscot study, and the slates fitted for the arbor walkways, the labor it took to lug bricks out to each overly articulated corner, in which nook a child of fortune, cushion- tassel between his fingers, might look up from his reading to see in heat waves rising over the pale, shimmering delphinium, a plot miracle perhaps, the sudden death by spontaneous combustion and the child wondering how, why, and could it have been? II. My childhood bedroom, summer night, one hand marking the book, the others palm and fingers printing moist, disappearing shadows on the wall. Then the college library, Harkness Hall, and aged, white-cowled Father Benilde smelling of coffee, muscatel, and Old Spice as he opened the doors at 7:30. First in line I was all business, heading straight to my end of a long, immovable table, to my first reading of Dante, a paperback copy of Ciardi, with its cover of red, grinning, cartoon Devils, which I in a fit of verisimilitude (which word I had just learned) add chard with a lighter. III My first lines that year: "Butt, butt, bale beast. I fear your horns not in the least! My intended tone was courtly love but the words were apostrophe to a buffalo in Roger Williams Park, one that had leaned hard into a sagging hurricane fence near my date. The lines came to me as I woke after a nap in the library. I still love to sleep in libraries whenever I can. I fix my head sideways over my folded hands and make room for the little puddle of drool I'll quickly wipe away. I wake into a barely believable clarity throughout my body. I'm ready to grapple with fate, love, sex, the stirrings within. Over readers and sleepers alike hovers a mist or a pollen, and in it I see words shuttling back and forth like birds. In the darkness or dream something hugely important had been freed, to roam. Grateful, I say to myself, "Elephants have been walking." IV. "Son, we must give this country great poetry!" decreed the older poet to my nodding head, as he shook my hand after the Crystal Room reading. Later, as I walked back to my dormitory, sleet failed to cool me, I turned his pronoun over and over, thinking, yes, we do, we do. On the news there was familiar footage: a Phantom run ending in a hypnotic burst of a lift yellow napalm. I new the war was wrong, but that was why, I claimed, I should go, to sing the song of high lament, to get it into the books. Like Ishmael I would sign on for a three-year voyage under a madman captain. Frissons to be had instantly, a pity-the-youth-soon-dying look in the eyes. "Are you crazy?" said my girlfriend. But I was filled with vibrant life and felt neither suicidal nor confused when I dialed the Marine recruiter: "Yes, I look forward to reporting." Phone in my lap, I sat sideways, my legs dangling over the arms of my red leather reading chair. A warm spring wind was melting the snow down to bright medallions of ice. I felt clear-headed and refreshed. I just hoped the war would last until I got there. Elephants were walking.